Myra Russel collection of musical settings of James Joyce 1909-1993

ArchivalResource

Myra Russel collection of musical settings of James Joyce 1909-1993

The Myra Russel Collection of Musical Settings of James Joyce consists of music scores for songs set to the words of the writer by a variety of contemporary composers, which were amassed by Myra Teicher Russel, a professor and authority on the works of James Joyce.

2.58 linear feet; 3 boxes

Information

SNAC Resource ID: 6316490

Related Entities

There are 6 Entities related to this resource.

Finney, Ross Lee, 1906-1997

http://n2t.net/ark:/99166/w6pz5bn7 (person)

Originally composed as the slow movement of Sonata, for cello and piano; transcribed for string orchestra, 1940 at the request of Dmitri Mitropoulos. First performance by the Minneapolis Symphony Orchestra, Minneapolis, Apr. 4, 1941, Dmitri Mitropoulos (to whom the work is dedicated) conducting--Cf. Fleisher Collection. From the description of Slow piece for string orchestra / Ross Lee Finney. 1940. (Franklin & Marshall College). WorldCat record id: 51793878 Commissioned...

Russel, Myra Teicher, 1920-2005

http://n2t.net/ark:/99166/w6p28n4d (person)

Myra Teicher Russel (1920-2005) was a professor and authority on the works of James Joyce. She returned to school later in life, completed her graduate work at Sarah Lawrence College, and taught literature at Elizabeth Seton College (later Iona College) for many years. Her area of interest within Joyce studies was music set to the poems of the author. In the early 1980s, Russel rediscovered the manuscript for Geoffrey Molyneux Palmer's Chamber Music (1909) at the Southern Illinois University at ...

Palmer, G. Molyneux (Geoffrey Molyneux), 1882-1957

http://n2t.net/ark:/99166/w673812c (person)

Ramsey, Gordon, 1926-2006

http://n2t.net/ark:/99166/w6738dqf (person)

Dickinson, Peter, 1934-

http://n2t.net/ark:/99166/w6pw8mrb (person)

Created by Peter Dickinson during the course of his career as a writer, from the 1960s to 2004. The following explanatory notes were supplied by Peter Dickinson to provide further information and explanation on the context of creation: '1.) Editors. The documents in the catalogue tend to distort my relationship with my various editors, partly because before the coming of e-mail it was always simpler to telephone London than it was Boston or New York, and unti...

American Music Collection

http://n2t.net/ark:/99166/w6g57tcd (corporateBody)